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In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments (piano, double bass, etc.) broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd. Bossa nova was made popular by Elizete Cardoso's recording of ''Chega de Saudade'' on the ''Canção do Amor Demais'' LP, composed by Vinícius de Moraes (lyrics) and Antonio Carlos Jobim (music). The initial releases by Gilberto and the 1959 film ''Black Orpheus'' brought significant popularity in Brazil and elsewhere in Latin America, which spread to North America via visiting American jazz musicians. The resulting recordings by Charlie Byrd and Stan Getz cemented its popularity and led to a worldwide boom with 1963's ''Getz/Gilberto'', numerous recordings by famous jazz performers such as Ella Fitzgerald (''Ella Abraça Jobim'') and Frank Sinatra (''Francis Albert Sinatra & Antônio Carlos Jobim''), and the entrenchment of the bossa nova style as a lasting influence in world music for several decades and even up to the present. ==1960s jazz standards== ===1960–1964=== * 1961 – "Impressions".〔(Impressions ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 205.〕〔''The New Real Book, Volume II'', p. 154.〕 Composed by John Coltrane. * 1961 – "One Note Samba" (aka "Samba de Uma Nota Só").〔(One Note Samba ) at ''jazzstandards.com'' - retrieved on February 20, 2009.〕〔''The Real Book, Volume I'', p. 314.〕 Composed by Antonio Carlos Jobim with lyrics by Newton Mendonça (Portuguese) and Antonio Carlos Jobim (English). * 1961 – "Stolen Moments".〔(Stolen Moments ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 384.〕 Composed by Oliver Nelson. * 1962 – "Corcovado" (aka "Quiet Nights of Quiet Stars").〔(Corcovado (Quiet Nights of Quiet Stars) ) at ''jazzstandards.com'' - retrieved on February 20, 2009.〕〔''The Real Book, Volume I'', p. 335.〕 Composed by Antonio Carlos Jobim with lyrics by Antonio Carlos Jobim (Portuguese) and Gene Lees (English). * 1962 – "Days of Wine and Roses".〔(Days of Wine and Roses ) at ''jazzstandards.com'' - retrieved on February 20, 2009.〕 Composed by Henry Mancini with lyrics by Johnny Mercer. * 1962 – "Meditation" (aka "Meditação").〔(Meditation ) at ''jazzstandards.com'' - retrieved on February 20, 2009.〕〔''The Real Book, Volume I'', p. 266.〕 Composed by Antonio Carlos Jobim Newton Mendonça (Portuguese) Norman Gimbel (English). * 1962 – "Up Jumped Spring".〔''The Real Book, Volume I'', p. 425.〕 Composed by Freddie Hubbard. * 1963 – "Blue Bossa".〔〔''The Real Book, Volume I'', p. 50.〕 Composed by Kenny Dorham. * 1963 – "Bluesette".〔''The Real Book, Volume I'', p. 56.〕 Composed by Jean Thielemans with lyrics by Norman Gimbel. * 1963 – "Four".〔〔(Four ) at ''jazzstandards.com'' - retrieved on April 29, 2009.〕〔''The Real Book, Volume I'', p. 149.〕 Composed by Miles Davis. * 1963 – "The Girl from Ipanema" (aka "Garôta de Ipanema").〔(The Girl from Ipanema ) at ''jazzstandards.com'' - retrieved on February 20, 2009.〕〔''The Real Book, Volume I'', p. 158.〕 Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Norman Gimbel (English). * 1963 – "How Insensitive" (aka "Insensatez").〔(How Insensitive ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume I'', p. 181.〕 Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Norman Gimbel (English). * 1963 – "If You Never Come to Me" (aka "Inútil Paisagem").〔〔''The Real Book, Volume I'', p. 204.〕 Composed by Antonio Carlos Jobim with lyrics by Aloysio de Oliveira (Portuguese) and Ray Gilbert (English). * 1963 – "Once I Loved" (aka "Amor em Paz", also "Love in Peace").〔〔〔(Once I Loved ) at ''jazzstandards.com'' - retrieved on February 20, 2009.〕〔''The Real Book, Volume I'', p. 311.〕 Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Ray Gilbert (English). * 1963 – "Oye Como Va".〔''The Real Book, Volume II'', p. 305.〕 Written by Tito Puente. * 1963 – "Recorda-Me".〔''The Real Book, Volume I'', p. 337.〕 Composed by Joe Henderson. * 1963 – "The Sidewinder".〔Seymour, Gene (2005) in Kirchner, Bill (ed.) ''The Oxford Companion to Jazz'', Oxford University Press, p. 388.〕 Composed by Lee Morgan. * 1963 – "Só Danço Samba" (aka "Jazz 'N' Samba").〔''The Real Book, Volume III'', p. 360.〕 Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Norman Gimbel (English). * 1963 – "St. Thomas".〔〔〔(St. Thomas ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕〔''The Real Book, Volume II'', p. 339.〕 Composed by Sonny Rollins. * 1963 – "Water to Drink" (aka "Água de Beber").〔〔''The Real Book, Volume I'', p. 14.〕 Composed by Antonio Carlos Jobim with lyrics by Vinicius de Moraes (Portuguese) and Norman Gimbel (English). * 1963 – "Watermelon Man".〔〔(Watermelon Man ) at ''jazzstandards.com'' - retrieved on February 20, 2009.〕〔''The Real Book, Volume III'', p. 429.〕 Composed by Herbie Hancock. * 1964 – "Cantaloupe Island".〔''The Real Book, Volume II'', p. 76.〕 Composed by Herbie Hancock. * 1964 – "Inner Urge".〔''The Real Book, Volume I'', p. 214.〕〔''The New Real Book, Volume III'', p. 177.〕 Composed by Joe Henderson. * 1964 – "JuJu".〔''The Real Book, Volume I'', p. 230.〕 Composed by Wayne Shorter. * 1964 – "Mahjong".〔''The Real Book, Volume I'', p. 260.〕〔''The New Real Book, Volume II'', p. 196.〕 Composed by Wayne Shorter. * 1964 – "Song for My Father".〔''The Real Book, Volume I'', p. 373.〕〔''The New Real Book, Volume II'', p. 335.〕 Composed by Horace Silver. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「1960s in jazz」の詳細全文を読む スポンサード リンク
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